New PDF release: Always More Than One

By Erin Manning

In Always greater than One, the thinker, visible artist, and dancer Erin Manning explores the concept that of the "more than human" within the context of circulation, belief, and adventure. operating from Whitehead's strategy philosophy and Simondon's concept of individuation, she extends the suggestions of move and relation constructed in her previous paintings towards the suggestion of "choreographic thinking." right here, she makes use of choreographic pondering to discover a method of notion ahead of the settling of expertise into proven different types. Manning connects this to the idea that of "autistic perception," defined by means of autistics because the expertise of a relational box sooner than the so-called neurotypical tendency to "chunk" event into predetermined matters and items. Autistics clarify that, instead of instantly distinguishing objects—such as chairs and tables and humans—from each other on getting into a given atmosphere, they adventure the surroundings as steadily taking shape. Manning continues that this mode of knowledge underlies all conception. What we understand isn't first a topic or an item, yet an ecology. From this vantage aspect, she proposes that we give some thought to an ecological politics the place move and relation take priority over predefined different types, similar to the neurotypical and the neurodiverse, or the human and the nonhuman. What wouldn't it suggest to embody an ecological politics of collective individuation?

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A life is experienced as the feeling of life welling across its dephasings. Think feeling here in the Whiteheadian sense, as propulsor to experience, always in the realm of the impersonal. 29 12:28 9165 Manning • Always More Than One • Sheet 48 of 296 F 6 PROOF This is not human feeling or emotion. It is affective tonality. It is the generative force, singular to this event, that moves the event toward its resolution. Each occasion has a tone, a singular expressivity, an enjoyment, as Whitehead would say.

Individuation happens at the surface not of the skin,but through a surfacing multiplicity, “a smooth, amorphous space . . constituted by an accumulation of proximities, . . each accumulation [defining] a zone of indiscernability proper to ‘becoming’ (more than a line and less than a surface; less than a volume and more than a surface)” (Deleuze and Guattari 1987, 488). When the skin becomes not a container but a multidimensioned topological surface that folds in, through, and across spacetimes of experience, what emerges is not a self but the dynamic form of a worlding that refuses categorization.

They land total movement, dimensionalizing it, opening total movement to an actualizing in concert with the now of time in the making. Total movement is felt in the now when the incongruity between the force of an infinity of potential and the limit- cut of the actual work together to activate the resonant shadow of a movement-moving that, while it never quite actualizes, continues to move through the actual movement such that movement-moving co- composes with what is actually experienced in time.

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Always More Than One by Erin Manning

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