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Educ. , 24:417–447, 498–520, 1933. , Principal Component Analysis, Springer-Verlag, New York, 1986. , Über lineare methoden in der wahrscheinlich-keitsrechnung. Ann. Acad. Sci. Fennicea, Ser. A137, 1947. (Translated by Selin, I. in “On Linear Methods in Probability Theory,” Doc. , Color Theory and Modeling for Computer Graphics, Visualization, and Multimedia Applications, Kluwer Academic Publishers, Norwell, MA, 1997. , Processus Stochastiques et Movement Brownien, Hermann, Paris, 1948. com. org/eispack.

Sci. Fennicea, Ser. A137, 1947. (Translated by Selin, I. in “On Linear Methods in Probability Theory,” Doc. , Color Theory and Modeling for Computer Graphics, Visualization, and Multimedia Applications, Kluwer Academic Publishers, Norwell, MA, 1997. , Processus Stochastiques et Movement Brownien, Hermann, Paris, 1948. com. org/eispack. org/lapack. org/linpack. N. , Digital Pictures: Representation and Compression, Plenum Press, New York, 1988. , A simplified neuron model as a principal component analyzer, J.

The texture of the hat is lost in areas at 20:1, while artifacts in the background region are more pronounced. The edges of the hat, however, are still rather crisp and the textured region of the feathers on the brim does not seem as distorted as the hat texture. Because the set of bases is image specific, certain features, such as these, may be well represented and be somewhat resistant to distortion at moderate compression ratios. By 40:1, though, the image is quite distorted. This type of distortion is sometimes referred to as “block effect distortion” because the block boundaries used in block transform coding are visible.

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