By Jonathan Burrows
On choreography: "Choreography is a negotiation with the styles your physique is pondering" On principles: "Try breaking the foundations on a necessity to wreck the principles foundation" A Choreographer’s instruction manual invitations the reader to enquire how and why to make a dance functionality. In an inspiring and strangely empowering series of reports, principles and paradoxes, the world over popular dancer, choreographer and instructor Jonathan Burrows explains how it’s attainable to navigate a direction via this complicated technique. it's a beautiful mirrored image on a private perform trip, and attracts upon 5 years’ of workshop discussions, led via Burrows. Burrows’ open and sincere prose provides the reader entry to more than a few workouts, meditations, ideas and concepts on choreography that permit artists and dance-makers to discover their very own aesthetic strategy. it's a ebook for a person attracted to making functionality, at no matter what point and in whichever sort.
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Extra info for A choreographer's handbook
The shape of the text above is a visual image of the rhythm of the words when spoken, and each line represents a beat. The gaps between printed words suggest the ﬂow or hesitation in our speaking, and an asterisk is a counted pause. The unusual layout of the text is the product of a pleasurable negotiation with the given form, which causes us to speak fast or slow in the wrong places and place emphasis on the wrong syllables. When it works, this wrongness makes you prick up your ears just when your ears had felt like giving up.
That which is a or a or the of a that we have Repetition is a device to emphasise or erode something by showing it more than once, more than once. It’s a moment of recognition for the audience in a sea of change. 18 A CHOREOGRAPHER’S HANDBOOK The pleasures of the familiar can guide us through any landscape including the landscape of language. Replication of a phrase of music can arrive at a rapturous longing for more. We wish for more only because we know it will stop * eventually. Our longing for more is in direct proportion to the expectation we have that things will eventually change.
Fred Astaire, from ‘Steps In Time’, HarperCollins Publishers, (1959) 2008, p. 325. The fact that it feels and looks like self-expression doesn’t necessarily mean that’s how it was made. Self-expression: It’s about what the audience see, not about what we feel (that doesn’t mean we don’t feel). Self-expression: The American philosopher of art Susanne K. Langer wrote a book in 1953 called ‘Feeling And Form’ in which she tried to identify a quality to each art form, something which underpins and deﬁnes the manner in which it operates.
A choreographer's handbook by Jonathan Burrows