By Matthew Goulish
'A sequence of injuries has introduced you this ebook. you might imagine of it no longer as a ebook, yet as a library, an elevator, an novice functionality in a close-by theatre. Open it to the desk of contents. flip to the web page that sounds the main fascinating to you. learn a sentence or . Repeat the method. learn this booklet as an artistic act, and consider encouraged.' 39 Microlectures: In Proximity of functionality is a suite of miniature tales, parables, musings and thinkpieces at the nature of analyzing, writing, artwork, collaboration, functionality, lifestyles, dying, the universe and every thing. it's a precise and relocating record for our occasions, jam-packed with interest and sweetness, thoughtfulness and discomfort. Matthew Goulish, founder member of functionality crew Goat Island, meditates on those and different varied topics, proving, alongside the way in which, that the limits among poetry and feedback, and among creativity and conception, are much much less mounted than they could look. The publication is revelatory, solemn but from time to time hilarious, and certainly written to motivate - or maybe impress - creativity and notion.
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Additional info for 39 Microlectures: In Proximity of Performance
The members of Goat Island are teaching the first day of a three-day performance workshop with local theater artists in Zagreb, Croatia. In a few hours time, the participants, divided into small collaborative groups, have assembled rough performances using material generated from movement, sound, and writing exercises. In the discussion following the performances, a conflict ensues. 52 A man with a serious but somewhat blank expression and large glasses, has told us to call him Fedja. It isn’t his real name, but as Americans, we would find his real name unpronouncable.
In this way creation and perception intermingle and are elements of the same complex phenomenon. In this way, we have begun to write this book together. Now the question arises: How do we proceed? 24 39 microlectures introduction We proceed in absolute freedom, within certain limits: the limits of our abilities, the limits of work and play, the limits of the next ten minutes, and the limited size of my desktop; the limits of bodies, the memory of bodies, and the motion we make toward and away from our own death; the limits of justice, creativity, natural resources, blankness, the limits of space, time, sound, instability, the fractal scaling of cloudshapes, leaf veins, the circulatory system, heartbeats, the rhythms of sleep and insomnia; the limits of our skill as dancers, the limits of I need a job, the limits of the echo off the opposite wall of the Grand Canyon.
A man moved to a room in a house in a new city. On his first night, he heard wedding music and the sounds of celebration from the house next door. ” He made this assumption because it was the custom in the small town he had come from, for the wedding to take place in the house of the bride’s family. But the next night, he again heard wedding music and celebration. This time, he thought, “How strange. ” However, the pattern continued, and he heard wedding music and celebration each day for the week.
39 Microlectures: In Proximity of Performance by Matthew Goulish